Sean Kahlil: The Wizard

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How did you get started?

I just picked up a camera and started to experiment. The first three years I didn't charge anyone and only did insane things. I shot a lot of Robert Mapplethorpe's models, and did a lot of body work because I really wanted to push the envelope, to learn. And it just happened that I was doing a lot of physique work at the same time as health and fitness really took off and I ended up working for four or five magazines.

How did you get involved with grooming models?

I started grooming models just by taking the time to explain why I wouldn't photograph them, and over time I was able to be more and more specific as my eye developed, and that evolved to helping them work out programs to make the changes they needed. I'm very familiar and comfortable with the body having been a dancer, and after I finished dancing I acted, taking my master's degree in theater and eventually teaching theater. So it's a very natural thing for me, I just end up teaching as I photograph.

Sometimes agencies will send me a model and say their stuff is too beefcake, we want him to still be handsome and beautiful but we want him a little more, for lack of a better word, I'll say noble. Other times, it's like a search and destroy mission - I'll teach the model how to correct or compensate for any 'characteristics' in their face. I'll take a photograph of them uncorrected, then corrected, and show them side by side, so they learn what they can do to create better photographs of themselves and I give them exercises to do in other shoots where the photographer isn't giving them any feedback.

Do you think the concept of male beauty has changed?

We're much more natural with what we expect in terms of looks for men now. This is not the 70's with blond Ken-doll boys anymore. We have ethnic boys, boys with scars, it's a more modern frame of mind. Second, our expectation of beauty is very different for men than it is for women. Women still have to line up with that perfect Barbie Doll '70's look. When they're a little old they can't work, when their faces are lined they can't work, when they've been seen too much they can't work, where with men it's exactly the opposite. You might have a scar right here and have someone say "I want that scar". The guy may be a little toothy or a little gangly and the client says, "I want that gangly look, I don't want a 'perfect' look".

We just have a different concept of male beauty today. You don't need someone so perfect themselves. What you need is someone that your product can make more perfect and makes them fit in with the trends, rather than vice versa, so a more natural person is attractive to a lot of manufacturers and designers. In most cases the only thing that's important for men is to be powerful through the camera. So as a photographer, I approach the camera with that awareness of power and know that you're documenting it.

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Article Index

Interview

Joseph Sayers: The Fighter
Andres Velencoso Segura: Conquistador
Adam Senn: Rock & Roll
Leif Stacey: American Spirit
Steven Strait: Strait to the Top
Channing Tatum: Relentless
Marcus Schenkenberg: Fearless
Joel West: The Ringmaster
David Fumero: One Life to Live
Seijo Imazaki: The Quiet Castle
Peter Johnson: The Muse
Emmanuel Fremin: The Gypsy
Being Justin Falkowitz
Brice Durand: The French Connection
Joel Fumero: The Contender
Derek Marrocco: Wild Child
Ijeoma: On the Move
Peter De Vries: The Boy Next Door
Luis Borges: The Perfect Blend
Jefferson da Silva: Double Trouble
Omahyra Mota: The Story of O
Chris Oprysk: Guess Who's Laughing Now?
Chad Nittler: Young Gun
Chris Kramer: Boy Wonder
Ethan Spears: Big Man on Campus
Joel McMillan: Easy Rider
Matt Janke: New York's Sexiest Bachelor
Taber: Rebel With A Cause
Bret Wozniak: Bret's Big Break
Ned Stresen-Reuter: The Minstrel
Richie LaMontagne: The Knockout
The Discovery of Cory Bond
David Miller: The Little Kid From Swellendam
Will Lemay: Year of the Dragon

Agency

Q Models: Part II
Q Models: Part I
The Boss is Back
Earnest Management
Click Models

Behind The Lens

Patrick McMullan: The Indispensible Man
Roger Moenks: Grand Slam
Timothy Greenfield-Sanders
Sean Kahlil: The Wizard
Christopher Makos: I Want to Marry A Millionaire

Feature

Makos Men: April 2005
Makos Men: July/August 2004
In Memoriam: Brian Bianchini
Makos Men: March 2004
Makos Men: January 2004
Makos Men: December 2003
Makos Men: October 2003
Makos Men: September 2003
Makos Men: August 2003
Makos Men: June 2003
Makos Men: May 2003
Sexiest Bachelor in America
Montreal: The Men and the Market
The Go-See
A&F Quarterly: XXX Spring Break 2001
Tokyo Diaries
Matt King: Modeling Advice

Carded

Carded: Major Models
Carded: L.A. Models
Carded: RE:Quest Models
Carded: F@ Management
Carded: ORB Models
Carded: Earnest Management
Carded: Boss Models
Carded: Wanted
Carded: Major, Place and RE:Quest

Scans & Tears

Marcus Schenkenberg in OUT
The Packaging of Travis Fimmel
Perry Ellis Spring 2003
Dolce & Gabbana Spring 2003
Scans & Tears: Spring 2003
Scans & Tears: Fall/Winter 2002

Happenings

A Party for Q Men
Opening Party For Forever Andy
Adam + Eve Launch Party in NYC
Go Fish Gallery Opening

Phys Ed

Boulder Shoulders
The Six-Pack Solution
Bigger Biceps are Better
Squat Strength
Getting Lean: Brian Bianchini

Skin Deep

Body Hair Maintenance
Face Basics: Cleansing

Book Review

Patrick McMullan's Men's Show
The Chop Suey Club
Class of Click: Model Yearbook